Artificial Intelligence

Abstraction in Artificial Intelligence and Complex Systems by Lorenza Saitta, Jean-Daniel Zucker

By Lorenza Saitta, Jean-Daniel Zucker

▓ Book's better half Website

▓ Abstraction is a primary mechanism underlying either human and synthetic notion, illustration of data, reasoning and studying. This mechanism performs a very important position in lots of disciplines, significantly computing device Programming, usual and synthetic imaginative and prescient, complicated structures, synthetic Intelligence and computer studying, paintings, and Cognitive Sciences. This ebook first presents the reader with an outline of the notions of abstraction proposed in a number of disciplines through evaluating either commonalities and modifications. After discussing the characterizing houses of abstraction, a proper version, the KRA version, is gifted to catch them. This version makes the suggestion of abstraction simply appropriate through the advent of a collection of abstraction operators and abstraction styles, reusable throughout diversified domain names and purposes. it's the influence of abstraction in synthetic Intelligence, complicated structures and computing device studying which creates the middle of the booklet. A common framework, in keeping with the KRA version, is gifted, and its pragmatic energy is illustrated with 3 case stories: Model-based analysis, Cartographic Generalization, and studying Hierarchical Hidden Markov Models.
∙ Collects, describes and compares numerous ways to abstraction proposed within the literature of assorted fields
∙ Discusses why abstraction performs a key position in AI artifacts, utilizing concrete examples, similar to cartographic generalization and human/robot interaction
∙ offers a conceptualization framework to layout powerful systems

▒ Book's Preface
When we began penning this ebook we have been conscious of the complexity of the task,
but we didn't think that it is going to take us nearly 3 years to accomplish it.
Furthermore, through the research and comparability of the literature from different
fields, it sincerely emerged that vital effects were completed, yet that much
more vital ones are nonetheless out of achieve. Then, the spirit of the e-book replaced, by
itself, from the meant evaluation of the previous to a stimulus for the long run. We
would be at liberty if the reader, rather than being content material with the tips we propose,
would take them as a motivation and place to begin to move past them.
We current a wide number of works on abstraction in different disciplines;
nonetheless many suitable contributions to the sector were inevitably left out,
owing to the sheer quantity of pages they'd fill. We make an apology for the missing
In this publication we current a version of abstraction, the KRA version, yet this is often not
the center of the publication. It has a restricted scope and serves major reasons: on the
one hand it exhibits that a number of earlier proposals of abstraction theories have a
common root and will be dealt with inside of a unified framework, and, at the different, it
offers a computational atmosphere for appearing abstraction by way of employing a suite of
available, domain-independent operators (programs). in reality, there's nonetheless a gap
between basic abstraction theories, as a rule dependent logical formulations of representation
changes, and urban techniques that seriously depend on particular domain
characteristics. The KRA version is intended to be anything in among: the
domain-independence of the abstraction operators achieves either generality (it can
cover a extensive spectrum of purposes and alertness domains), and synergy (by
instantiating in several contexts a few code written only one time).
Independently of the version, we think that the fundamental principles on which it relies
are extra vital than the version itself. those principles are definitely debatable; some
reader may possibly imagine that our view of abstraction is precisely what he/she has always
looked for, while another may perhaps imagine that abstraction is completely something
else. either reactions are welcome: what issues is to set off curiosity within the subject
and stimulate extra research.
The booklet isn't meant to be a textbook: it really is special to scientists operating on
or utilizing abstraction strategies, with no problem of fields. laptop scientists,
Artificial Intelligence researchers, artists, cognitive scientists, mathematicians, and curious minds can learn the booklet. a few components are extra formalized, and so they may
look complicated at the start sight. in spite of the fact that, we think that the best a part of the
content is graspable via intuition.

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2 “La trahison des images” (1928-9). Magritte’s painting is an “image” of a pipe, not the “real thing” and program watermarking. In their paper the authors describe the foundations of abstracting program’s fixpoint semantics, and present a state of the art on the subject. 5 Art (Mostly Peinture) Whatever “art” might be, according to Gortais [219] “as a symbolic device, art, whether figurative or not, is an abstraction”. This statement is well illustrated by Magritte’s picture of a pipe (see Fig.

In an analogous way the selection operator σϕ (R) selects only those tuples for which the logical formula ϕ is true, hiding the remaining one. These operators clearly obey the principles of information hiding, because the omitted columns or rows in R are not deleted, but only hidden: they may be visualized again at any time. Miles Smith and Smith [372] address the issue of abstraction in databases directly. They say that “an abstraction of some system is a model of that system in which certain details are deliberately omitted.

Even before photography, some painter, such as James McNeill Whistler, stressed the importance of transmitting visual sensations rather than precise representations of objects. His work Nocturne in Black and Gold, reported in Fig. 3, is often considered as a first step toward abstract art. A scientific approach to abstract art was proposed by Kandinsky [279], who defined some primitives (points, lines, surfaces) of a work of art, and associated to them an emotional content. In this way it was possible to define a syntax and a language for art, which were free from any figurative meaning.

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